FICTION

Winter 2024 “A No-Good Man, A Broken Cup, A Stolen Child” by Sheila Massie—(900 words) “Woke Up New” by Erika L. Satifka—(5,600 words) “Put Your Money Where Your Mouth Is” by B. Morris Allen—(6,266 words) “Mangrove Daughter” by E.M. Linden—(2,000 words) “Djingo Bottom Belfree” by David Simmons—(2,089 words) “Dying Honestly” by Nyx Kain—(6,500 words) “Climbing the Mountains of Me” by Phoebe Barton—(4,900 words) “Claim the Dead” by Avi Burton—(2,900 words) “Time Between Her Teeth” by Erin Keating—(4,963 words) “The Time Walkers” by Jess Lewis—(2,200 words) “The Death Priest’s Gambit” by Avery Kit Malone—(2,200 words) “Wolf Children” by Meghan Rose Allen—(10,732 words)

Spring 2024 “Flowers for an Infinite Grave” by Stewart C Baker—(3,300 words) “On the Temporary Nature of Thunderstorms” by Leah Ning—(1,300 words) “In the Museum of Unseen Places” by Marsh Hlavka—(5,100 words) “Charybdis” by Julia August—(2,930 words) “The Artful Eagle” by Barbara Krasnoff—(4,045 words) “Where the Girls Who Were Eaten Live” by R.K. Duncan—(3,200 words) “Pillow Fort” by Alexandra Munck—(1,250 words) “The Girl with No Hands” by Jordan Taylor—(1,400 words) “Wormful” by Sean McDonald—(3,700 words) “Caricatura” by J. G. Lynas—(2,600 words) “The Witch Who Lives Next Door” by Zoe Kaplan—(1,200 words) “The Real Monsters Were the Children We Terrorized Along the Way” by Lindz McLeod and Sage Tyrtle—(572 words)

Summer 2024 “The Phantasmagoria of Castle Specfel” by Greta Hayer—(3,951 words) “To Call the Lightning” by Rebecca Burton—(1,400 words) “Causality Cone” by Don Mark Baldridge—(2,000 words) “And the Daisies Were to Blame” by Adriana C. Grigore—(3,900 words) “Gold, Glory, and the McCorry Boys” by Christopher O’Halloran—(4,748 words) “Ellipsism” by Dan Peacock—(3,216 words) “There’s Always a Dragon” by Jac Morris—(2,000 words) “Creature” by Kelsea Yu—(3,000 words) “Cathedral” by Paul Crenshaw—(5,750 words) “The Eyes of My Brother” by Robert Luke Wilkins—(4,125 words) “Pomegranate and the City of Stories” by Sean Robinson—(7,500 words) “This Container Transports a Disease Which Has No Cure” by Taylor Rae—(2,000 words)

Autumn 2024 “The Pit and the Penitent” by Steve Toase—(3,250 words) “The Hunt” by S.A. McKenzie—(1,000 words) “Of Black Town’s Monster” by Chaitanya Murali—(8,900 words) “In a Clearing on the Darkest Day” by Sarah Salcedo—(7,486 words) “Cold as Bones” by Mar Vincent—(1,500 words) “Rise Again by Ramez Yoakeim—(5,000 words) “The Effening” by Joe Panic—(5,800 words) “Residual Suspension; or, Life After Debt” by Jeffrey Palms—(5,800 words) “Friend of the Fanilae” by H.L. Fullerton—(1,435 words) “Transits of Other Lands” by Marissa Lingen—(1,700 words) “Scrap Metal Family” by Elizabeth Cobbe—(4,700 words) “Service Sector” by Mike Allen—(2,100 words)

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POETRY

Winter 2024 “Here Be Dragons” by Holly Lyn Walrath “The Weather on Other Planets” by Josh Pearce “Some Local Archeology” by William Doreski “Coyote Speaks” by Rick Doyle “Note from the Angel’s Autopsy” by Jonathan Louis Duckworth “A Woman Dressed in Bones” by Jennifer Crow “Outside Negotiations” by Elizabeth R. McClellan	Spring 2024 “The Will of the Whisps Mother” by Holly Lyn Walrath “The Lost Dead World Thing” by Mari Ness “The Ghosts of You Persist” by Aimee Ogden “Pure fusion” by Yuliia Vereta “An Introduction” by Alexis Renata “Hide & Skin” by Gretchen Tessmer & Anatoly Belilovsky “The Face in the Attic, the Voices in the Walls” by David C. Kopaska-Merkel & Kendall Evans
Summer 2024 “Entropy Brooks No Countercurrent” by Aimee Ogden “The Parts of Me They Trimmed” by Amanda Cook “The People of Avonmora Move On” by Goran Lowie “Rocket Garden” by Josh Pearce “Interim” by Eva Papasoulioti “To the witches in the woods behind the middle school” by Natalie Hennessy “Signal Light” by Christopher Rowe	Autumn 2024 “firestarter” by Marisca Pichette “shiny black marble” by Eva Papasoulioti “First Sojourn” by Angela Acosta “Descent” by Mari Ness “What Villains Read” by Mary Soon Lee “Lords of Terra” by Gretchen Tessmer “Star-Eater” by Ashley Bao