Fiction

Winter 2025 “The Diamond Mountain” by Helen De Cruz (900 words) “Once, Now, Always” by Ire Coburn (7,500 words) “Hidden Meaning” by Lindsey Duncan (6,600 words) “Teeth” by Kemi Ashing-Giwa (5,600 words) “Out of the High Bright” by Amy Griswold (5,600 words) “Wingspan” by Laney Gaughan (5,300 words) “Song and Silence” by Megan Branning (1,000 words) “Birds Vibrant and Wild” by Owen McManus (6,100 words) “Lettuce and Sand” by Devan Barlow (1,000 words) “Set Alight” by Toby MacNutt (2,700 words) “The Sanity Thief” by S. Cameron David (2,200 words) “(Redacted)” by Tara Calaby (1,900 words)

Spring 2025 “Mabinogion” by Katie McIvor (6,000 words) “We Like Yellow Houses Here” by Louise Hughes (3,500 words) “Naming the Dead” by Valerie E. Polichar (5,900 words) “There’s Music in the Land” by Lotte van der Krol (1,000 words) “Grace in Orangeland” by Michael J. DeLuca (2,600 words) “Osteogenesis” by Karen Osborne (900 words) “Emilio’s Tale” by Bruce McAllister (14,600 words) “Rosette Spots” by Ephraim N. Orji (4,800 words) “The Princess Seed” by Mar Vincent (600 words) “Quest Giver” by J.S. Carroll (2,400 words) “Full, Empty Houses” by Plangdi Neple (6,500 words) “Microcosmus of Mystery” by Josh Pearce (4,500 words)

Summer 2025 “How to Create a God” by Rachel Meresman (7,400 words) “Steel Holds the Heat’s Memory” by Rick Hollon (6,900 words) “Transmission Systems” by Julia August (2,400 words) “Into a Distant Ocean” by Matthew Cheney (3,900 words) “The Ink God Questions the Nature of Faith” by Matt Thompson (2,800 words) “The Ghost Lyrics” by Jim Marino (5,300 words) “Dybbuk-Draw” by Devan Barlow (2,000 words) “A Preparation of Tombstones” by Maggie Slater (1,000 words) “Save the Date” by Elle Boyd (2,000 words) The Moon’s Only Daughter and the Teeth of Time” by Malda Marlys (3,600 words) “Plastic Alternatives for Humble Seamstresses” by Wren Douglas (2,500 words) “The Demographer” by Richard Ford Burley (1,300 words)

Autumn 2025 “Singularities” by Cressida Roe (1,700 words) “The Little Deaths of Autumn” by J.A. Prentice (4,100 words) “The Nine Crashes of Flight Lieutenant Hilla Quinn” by Louise Hughes (3,200 words) “The Beekeeper’s Daughter” by Neil Willcox (3,200 words) “Follow My Instructions, I Promise This Won’t Hurt” by Akis Linardos (900 words) “What Am I This Time?” by Scott Edelman (8,500 words) “The Hunting of the Phoenix” by S.L. Harris (6,000 words) “Godling, Runner, Thief” by Avra Margariti (5,800 words) “My Collectors” by Shaenon K. Garrity (5,000 words) “What a Big Heart You Have” by Marissa Lingen (1,900 words) “The Violin/ist or The Madrigal” by Katie R. Yen (2,500 words) “Wilayat in Seven Saints” by Tanvir Ahmed (3,800 words)

Poetry

Winter 2025 “Between the Waters of Phlegethon and Molloy” by Marisca Pichette “Continuity Errors of Time Get Swept Away” by Vincent Miskell “Beer on the Sun” by Robert Borski “We’d Stitch the Sky, We’d Snatch the Sea” by Akis Linardos “where no one can hear your scream” by Josh Pearce “Chicken Little Respectfully Demands an Apology From the Powers That Be” by Gretchen Tessmer “Don’t follow the lights” by Brian Hugenbruch

Spring 2025 “Up His Arm Crawls a Tooth-sized Spider” by Akis Linardos “Flighty” by Ian Li “When the Shadows Showed All” by Marisca Pichette “I See Baba Yaga” by Eugenia Pozas “The Saucer Men” by David C. Kopaska-Merkel “Mother’s Milk” by Kendall Evans and Robert Borski “Forge” by Jordan Hirsch

Summer 2025 “When All I Could See Were Flowers” by Mari Ness “Night Reveries” by Alexander Etheridge “reading the plants left over” by Mike Sluchinski “Hungry Years” by Jennifer Crow “permutations” by Eva Papasoulioti “I opted for the praying mantis arms” by Katy Bond “Bergelmir” by James Joseph Brown

Autumn 2025 ☆ “Eldritch Democracy” by Chris Clemens ☆ “Shapeshifters’ Local” by Rick Hollon ☆ “Lacus Solitudinis” by Josh Pearce ☆ “I have been to the market” by Shana Ross ☆ “Atomic” by Jennifer Crow ☆ “Bedazzled” by Robert Borski ☆ “Bestla” by James Joseph Brown